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- 2026 | Exhibition: Edge Conditions / Inawendiwin / À la lisièr
- 2026 | Research: Immersive Engagement at the Edge
- 2026 | Review: Dominique Blain: Messages in a World of Turmoil
- 2026 | Review: Samia Henni's "Performing Colonial Toxicity"
- 2025 | Design: Jeff Thomas The Scout Relocation Project
- 2025 | In Conversation: Sovereign with Mary Anne Barkhouse
- 2024 | Review: Nick Sikkuark's "Humour and Horror" Retrospective at National Gallery of Canada
- 2024 | In Conversation: Dialogue(s) with Jim Logan
- 2023 | Article: Fort Simpson: The Historical work of Frederick Alexcee
- 2023 | Review: Beirut Eternal Recurrence
- 2023 | Review: Looking the World in the Face
- 2023 | In Conversation: Rihab Essayh - Embodying Vulnerability in an Art World Professing Care
- 2023 | Article: Governor General Awards for Visual Arts 2022
- 2023 | In Conversation: Dialogue(s) with Stanley Wany
- 2022 | Catalogue: Encoding Culture II: The Works of Barry Ace
- 2022 | Review: Towards Home
- 2022 | Essay: Lawrence Paul Yuxweluptun for Heffel
- 2022 | Catalogue: Encoding Culture I: The Works of Barry Ace Catalogue
- 2021 | In Conversation: Michael Belmore - Materials and Deep Time
- 2020 | In Conversation: Lay of the Land - A Conversation with Nenets Artist Evgeniy Salinder
- 2019 | Article: Inspired Gathering: the International Indigenous Art of Àbadakone
- 2019 | In Conversation: Algonquin artist Claude Latour Makwa's Return
- 2018 | Design: Michael Belmore | A.J. Casson Confluences and Tributaries
- 2017 | Design: Digital Archives for Indigenous Artists
- 2016 | Review: Questioning Citizenship at the Venice Biennale